Well, I neglected to post from France (although in all honesty, I had plenty of opportunity) simply because I had little to update. Let it be known that I did start writing for SeaFox... which, I am reminded, I still owe an explanation post for (for easy reference). Nonetheless, it was real writing this time, not just plotting--something I haven't done (on paper) for too long. I find it difficult to write, however, without a thesaurus or at least a dictionary nearby; not because I feel I must "spice up" my writing with fancier words, but because I often think of words of which I can recall only one sound and the meaning (thus a thesaurus is helpful in that I can look up the meaning and work backwards from there by sounds). When I write without one, the page is dominated with circles marking "filler" phrases to be replaced later. Not to mention strike-throughs of ungodly length for lack of backspace button (assuming I'm writing on paper, with my new French fountain pen).
06 July 2007
13 June 2007
Off
Off to France for me. Just thought I'd mention... Picking Heterochromia back up after putting it down for Finals. I even checked some writing books out of the library. Good signs, good signs.
Don't expect an update again till at least July. Unless I post from France. We'll see.
Don't expect an update again till at least July. Unless I post from France. We'll see.
22 May 2007
Dilemmachromia
I really have no time to be writing this. But as my friend mentioned the other day, "The best writing is done when there is no time." (Okay, so it's not an exact quote, but he should be happy I'm making his message poetic.) But I thought I should check in.
My current dilemma with Heterochromia (it should be noted that I adore being able to link to one page to give a basic explanation) is deletion. I've made it far more developed than I ever wanted, and now, I simply have to get rid of some things. If I keep those things, it simply isn't my original story anymore, it isn't the direction I want to take it. But that also means throwing away material I worked hard on (or, really, saving it for later use in something else). I just need to take a few steps back before I can step forward again, hopefully in the right direction this time :)
On a different note, when I get around to making Heterochromia, I know exactly what the different volumes will be called:
My current dilemma with Heterochromia (it should be noted that I adore being able to link to one page to give a basic explanation) is deletion. I've made it far more developed than I ever wanted, and now, I simply have to get rid of some things. If I keep those things, it simply isn't my original story anymore, it isn't the direction I want to take it. But that also means throwing away material I worked hard on (or, really, saving it for later use in something else). I just need to take a few steps back before I can step forward again, hopefully in the right direction this time :)
On a different note, when I get around to making Heterochromia, I know exactly what the different volumes will be called:
02 May 2007
May Will Be Better
Yeah, yeah. A whole month went by, and not one post. I'm a bad person.
In truth, though, I just haven't made any big plot developments, nor any more half-finished concept art to show or anything. At the beginning of the month, I was really rarin' to go... Had the Copics all charged up, ready to color, but then... I just didn't finish anything. And then I kind of went off of Heterochromia because too many plot things weren't working. I didn't get stuck, but I just had to completely overhaul some of the ideas, which I just wasn't ready to do. Especially since I had nothing to replace them with.
I'm over that now, thanks to a combination of lovely HUGE headphones, Death Cab for Cutie (Plans), and sci-fi writing books. Maybe a little Dickens (Oh A Tale of Two Cities, thou art a cruel mistress... "what plate and jewels would tarnish in Tellson's hiding-places, while the depositors rusted in prisons..." Genius.
In truth, though, I just haven't made any big plot developments, nor any more half-finished concept art to show or anything. At the beginning of the month, I was really rarin' to go... Had the Copics all charged up, ready to color, but then... I just didn't finish anything. And then I kind of went off of Heterochromia because too many plot things weren't working. I didn't get stuck, but I just had to completely overhaul some of the ideas, which I just wasn't ready to do. Especially since I had nothing to replace them with.
I'm over that now, thanks to a combination of lovely HUGE headphones, Death Cab for Cutie (Plans), and sci-fi writing books. Maybe a little Dickens (Oh A Tale of Two Cities, thou art a cruel mistress... "what plate and jewels would tarnish in Tellson's hiding-places, while the depositors rusted in prisons..." Genius.
29 March 2007
A Difference in Colouration Between Two Structures Normally Alike in Colour
That is, heterochromia (usually referring to the eye or iris).
Which, as it happens (by no coincidence at all), is the name of the comic for which I may now present some concept art. But first, an explanation of the story:
Some time ago (between ten and eighteen years prior to the story), an alien race called the Satekae came to Earth seeking its natural resources. The resident humans of the time, however, naturally objected to Satekae taking control of their resources. The conflict elevated to an all-out war. The great majority of humans were killed, but a limited number were taken as workers by the Satekae. For some time after, the humans were to severely oppressed that much of their knowledge and culture were lost. Now, however, the shock of enslavement is wearing off, and with it, the instinct to become free grows. Panima heads plans for rebellion against the Satekae, her methods favoring violence and vengeance over preservation of what is left of mankind. When Tamino, a man from the "superpower" government (in a similar way as the United States of America are considered a "superpower") of the galaxy shows up, however, Pan finds herself switching tactics, instead trying to gain his favor so that he will convince others from his government to order humans' freedom. What a long-winded explanation. But, I haven't written anything in a while... Give me a break.
Which, as it happens (by no coincidence at all), is the name of the comic for which I may now present some concept art. But first, an explanation of the story:
Some time ago (between ten and eighteen years prior to the story), an alien race called the Satekae came to Earth seeking its natural resources. The resident humans of the time, however, naturally objected to Satekae taking control of their resources. The conflict elevated to an all-out war. The great majority of humans were killed, but a limited number were taken as workers by the Satekae. For some time after, the humans were to severely oppressed that much of their knowledge and culture were lost. Now, however, the shock of enslavement is wearing off, and with it, the instinct to become free grows. Panima heads plans for rebellion against the Satekae, her methods favoring violence and vengeance over preservation of what is left of mankind. When Tamino, a man from the "superpower" government (in a similar way as the United States of America are considered a "superpower") of the galaxy shows up, however, Pan finds herself switching tactics, instead trying to gain his favor so that he will convince others from his government to order humans' freedom. What a long-winded explanation. But, I haven't written anything in a while... Give me a break.
Subscribe to:
Posts (Atom)